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I’m just going to post this page from Three Shadows, becauseI feel it is particularly fascinating the way that Cyril uses white space here; where the first and the last panel on the page aren’t in boxes, but just coming out of the picture to interact with you directly.

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You almost feel like that milk bucket is going to bounce out of the frame and end up at your feet instead of staying in fantastical pastoral pseudo-France/Portugal.

Isn’t that cool?  It’s not a technique I see all that frequently in comics, and this makes me think that it’d be good if it was around more.

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